Our thriller opening
represented different social groups, particularly gender as we played with
stereotypes.
Our main character,
Eva, represents that young women are vulnerable. This is conveyed though not
only her kidnapping, but many other media elements. At the end, there is
diegetic sound of her whimpering conveying her weakness as a character, the
addition of the removal of non-diegetic background sounds emphasises this
further. The shadow cast
across her face emphasises the oncoming darkness brought by the kidnappers
almost removing all innocent senses. The multiple extreme
closeups of her face bring us to her vulnerability as she becomes exposed and
hopeless due to the actions of her kidnappers.
In regards to mise en
scene aspects, the prop of the door contains a window in the section, this
makes it not opaque and more easily accessible to what’s inside. This emphasises
the vulnerability of young women stereotype within our media product.
Moving over to
another representation of social groups within our thriller, we challenge the
stereotype being that criminality is masculine and replace it with a female
dominance. We have a male and female kidnapper and the female appears to be in
control of the male emphasising how it’s not only men who can conduct
kidnappings, a way we differ from our influence, “The Disappearance Of Alice
Creed”.
We emphasise this element of female dominance in a number of ways in shots. For example, she rearranges his tool layout, pulls out the tool to open the door, pushes his jacket into him and stares at him as he gulps his water inappropriately.
In this shot, our male character ties his shoelaces in a single knot. Our female character then doubles the knot in a shot that comes immediately after. This displays her dominance over him suggesting he can’t live up to her standards or expectations. It also conveys her perfectionist personality traits. In addition, the shoe being black contrasts the light colour palette used in the background. This displays there is metaphorical goodness around them yet them themselves don’t contain this and develops their negative connotations as characters. The fast cut makes her action seem faster in pace further conveying her power and dominance.
Furthermore, our thriller challenges stereotypes and conventional representations of crime as a male domain. The lead male character doesn't orchestrate the kidnapping and isn't represented as vulnerable yet he is conveyed as inferior to his female partner in crime.
We emphasise this element of female dominance in a number of ways in shots. For example, she rearranges his tool layout, pulls out the tool to open the door, pushes his jacket into him and stares at him as he gulps his water inappropriately.
In this shot, our male character ties his shoelaces in a single knot. Our female character then doubles the knot in a shot that comes immediately after. This displays her dominance over him suggesting he can’t live up to her standards or expectations. It also conveys her perfectionist personality traits. In addition, the shoe being black contrasts the light colour palette used in the background. This displays there is metaphorical goodness around them yet them themselves don’t contain this and develops their negative connotations as characters. The fast cut makes her action seem faster in pace further conveying her power and dominance.
Furthermore, our thriller challenges stereotypes and conventional representations of crime as a male domain. The lead male character doesn't orchestrate the kidnapping and isn't represented as vulnerable yet he is conveyed as inferior to his female partner in crime.
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